All Post Production & VFX articles – Page 13
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NewsUK VFX firm DNEG poised for London IPO
VFX firm DNEG is set for a listing on the London stock exchange, according to Sky News.
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NewsNetflix, Amazon Prime and HBO lead Emmys 2019 nominees
UK productions Game of Thrones, Killing Eve, Bodyguard and Fleabag lead the 2019 Emmys nominees with limited series Chernobyl and When They See Us recognised as expanding the TV landscape.
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Executive InterviewsBehind the Scenes: Toy Story 4
Pixar director of photography Patrick Lin explains how he brings a live-action filmmaking approach to computer animation.
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Industry TrendsHow streamer spend is reshaping programme making
The rise of the streaming platforms has sparked a production boom, affecting superindie groups through to smaller indies. It has had a major impact on all genres of programme making too - and the way that shows are now financed. Tim Dams reports.
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Industry TrendsEditFest 2019: Just keep cutting
The seventh annual American Cinema Editors’ London EditFest offered insights into cutting for factual, TV drama, and features, George Jarrett reports.
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Executive InterviewsCraft Leaders: Lee Smith, Editor
Editing films is “very instinctual”, says Oscar winning editor Lee Smith
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Industry TrendsHow AI is reinventing visual effects
AI/ML and deep learning is having a huge impact in computer graphics research with potential to transform VFX production.
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Executive InterviewsBehind the scenes: Men in Black: International
The MIB reboot opened last week. IBC365 goes behind the scenes with VFX Supervisor Alessandro Ongaro to find how he created a world with aliens living on Earth.
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Executive InterviewsBehind the scenes: Tonight with Vladimir Putin
Vladimir Putin has been brought to life as a chat show host for a new BBC comedy. James Pearce goes behind the scenes with Framestore to see how the VFX firm used motion capture to create a VFX Putin in real-time.
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Industry TrendsBehind the Scenes: Apollo 11
A new documentary film about the Apollo 11 Moon Landing features previously unseen 70mm footage that helps provide a whole new take on the mission and its legacy as it nears its 50th Anniversary.
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Industry TrendsRental houses reveal what productions want now
From an iPhone to an expensive full-frame digital cinema camera, you can shoot a TV show or even a movie on a range of devices. But what do most mainstream productions use? These rental houses reveal all.
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Executive InterviewsCraft Leaders: Laura Jans Fazio, Colourist
Laura Jans Fazio explains how an interest in art and design led her to become the colourist for the likes of House of Cards, Mr Robot, and A Series of Unfortunate Events.
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Industry TrendsASC turns 100: Who is the greatest cinematographer ever?
IBC365 pays tribute to the international cinematographers who have shaped the art of motion pictures and asks ASC members who they think is the greatest of all time.
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Industry TrendsBehind the scenes: Once Upon a Time in Hollywood
Robert Richardson ASC describes recreating the summer of 1969 for Quentin Tarantino’s new blockbuster.
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Industry TrendsBehind the scenes: Good Omens
VFX supervisor Jean-Claude Deguara discusses creating a fantasy world straight out of the minds of Terry Pratchett and Neil Gaiman
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WebinarCrafting quality: Skills for successful UHD and HDR production
Join IBC365 on demand to explore how pixels, higher frame rates, wide colour gamut and high dynamic range are transforming the production process.
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Industry TrendsBehind the scenes: John Wick 3
Cinematographer Dan Laustsen brings visual panache to the stunt-fuelled franchise
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Industry TrendsSpotlight on: Film trailers
Film trailers play a vital role in marketing budgets that can cost hundreds of millions of dollars, but different changing consumption methods have changed the nature of trailers.
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NewsBafta Craft Awards: The winners
BBC TV dramas A Very English Scandal and Killing Eve were among the winners last night at the Bafta Television Craft Awards.
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Video
Video: How Sweden's SVT has adopted the cloud
SVT CTO Adde Granberg speaks about how the Swedish public service broadcaster is using the cloud and the barriers to adopting remote production.
