All Post Production & VFX articles – Page 15
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NewsOscars 2019: The winners
Bohemian Rhapsody, Black Panther and Roma were among the big winners at Sunday night’s Oscars ceremony.
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Executive InterviewsCraft leaders: Adam Gough, Editor
Roma editor Adam Gough on his route into the industry and what it was like working with Alfonso Cuarón on the Oscar-nominated film.
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Industry TrendsOscars 2019: Inside the Best Film Editing category
From an eccentric costume drama to the story of the ultimate stadium rockers, what all the nominations in the best film editing category have in common is that their stories are based on real life biographies.
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Industry TrendsBehind the scenes: Cold War
Oscar-nominated cinematographer Lukasz Zal reveals how he created the black-and-white look for Pawel Pawlikowski’s Soviet-era love story.
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NewsUK film and TV spend hits £3.1bn in 2018
Production spend on film and TV in the UK reached £3.1bn in 2018, which the BFI said was a vote of confidence in the UK’s crews, facilities and locations.
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Thought LeadershipWe can do it: Taking action and changing culture
With women remaining notably absent from this year’s Academy Awards nominations, it is of vital importance that the industry does more to attract and retain women, says Digital Orchard managing director Sam Margaritis.
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Industry Trends2019 Oscars: Inside the best cinematography and VFX categories
From shooting in black and white to creating in-camera effects, we take a look at the technology and technique behind Oscar nominated films.
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Industry TrendsBehind the scenes: A Quiet Place
Ethan Van der Ryn and Erik Aadahl, the supervising sound editors of Oscar-nominated A Quiet Place, on establishing the rules of silence and the shock of what happens if you break it.
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Industry TrendsBehind the scenes: First Man
The sonic soundscape of Neil Armstrong biopic First Man fuses authentic reconstruction with the insanity of the race into space.
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Thought LeadershipWhy diversity is a business imperative
Diversity and inclusion are the key to delivering engaging content, says Mill Film’s Lauren McCallum.
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Industry TrendsBehind the scenes: The Favourite
Cinematographer Robbie Ryan on the bold lens choices for Yorgos Lanthimos’ acerbic awards-tipped period drama.
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Industry TrendsIn search of next gen broadcast media storage
At IBC2018, Rohde & Schwarz introduced a new multi-user shared access storage system: R&S SpycerNode. In this article, we take a closer look at SpycerNode to see how its approach differs and where this might add value to broadcasters, content owners and facilities.
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Executive InterviewsCraft Leaders: Douglas Trumbull, Special Effects Supervisor
The VFX wizard behind movies like 2001: A Space Odyssey and Blade Runner, Douglas Trumbull has spent the last decade developing Magi, which can capture and show films at high resolution and high frame rates – and deliver the immersive experience he says cinema audiences are looking for.
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Industry TrendsBehind the scenes: Fantastic Beasts: The Crimes of Grindelwald
With around half of Fantastic Beasts: The Crimes of Grindelwald’s $200m budget comprising VFX shots, Framestore Creative Director Christian Manz reveals the VFX story to IBC365, detailing work on key scenes, the re-invention of Paris and the creation of some of the more fantastic of the beasts.
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Industry TrendsBBC and C4 triumph at RTS Awards
The Royal Television Society (RTS) 2018 Craft and Design Awards have awarded the best in UK broadcast television from directing and effects to costume and make up.
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Industry TrendsUK’s VFX close up
IBC365 spoke with the One Strange Rock, The Crown and Katy VFX teams shortlisted for last night’s RTS Craft and Design Awards.
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Industry TrendsThe art of animation success
Based out of Kilkenny in Ireland, Irish animation studio Cartoon Saloon has racked up Oscar nominations and interest from streaming platforms. Paul Young of Cartoon Saloon explains how OTT content hunger is fuelling the global animation market.
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Executive InterviewsCraft leaders: Ben Davis, Cinematographer
Ben Davis’ extraordinary list of credits includes Marvel blockbusters through to lower budget gems. This year alone he shot multi-million dollar shows Captain Marvel and Dumbo, back to back. He talks to Adrian Pennington about the art of the Director of Photography (DoP), his influences and the future of cinematography
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Executive InterviewsCraft leaders: John Mathieson, Cinematographer
The craft of cinematography is at risk in this era of digitally shot films, warns Oscar-nominated DoP John Mathieson, whose latest films include Mary Queen of Scots and Pokémon: Detective Pikachu.
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Industry TrendsA game-changing revolution
It’s rare when something can be truly said to represent a revolutionary approach to filmmaking. Attendees of a jaw-dropping Big Screen session at IBC2018 got to see for themselves how game technology is fundamentally changing the way films are made.
