All Post Production & VFX articles – Page 2
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Industry TrendsBehind the Scenes: Intergalactic
The VFX team behind Sky Original science-fiction Intergalactic drew on nail varnish, quantum mechanics and the odd ‘space chick’ for the design of key sequences.
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NewsITN appoints new director of post production
ITN has recruited Edurne Bengoa to the role of director of post production, taking over the role previously held by Olly Strous.
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Industry TrendsBehind the Scenes: Evil Genius 2 cinematic trailer
The cinematic trailer for Rebellion Games’ Evil Genius 2 has all the humour and production values of a Disney Pixar movie, but the way it was created couldn’t be further from the traditional studio workflow. Michael Burns goes behind the scenes to find out how world domination was planned and ...
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Industry TrendsInside Streamland Media’s post-production M&A push
Earlier this week, Streamland Media announced the closing of its acquisition of Technicolor Post and Technicolor VFX. Chief executive Bill Romeo explains the rationale behind the US post firm’s buying spree and why he thinks bigger is better.
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Industry TrendsWhy diversity does not guarantee inclusion
The DTG’s live webinar entitled Diversity, Skills and Talent was built around the core challenge of creating a deep and inclusive grassroots pool of rich engineering talent for the future.
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Industry TrendsAnalysis: Iyuno’s acquisition of SDI and the state of localisation
The deal that turned lyuno-SDI Group into the largest international provider of localisation services for media and entertainment is the latest in a wave of mergers and acquisitions in a dynamic sector. Michael Burns takes a look at the deal in the context of a challenging market and finds out ...
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Executive InterviewsInterview: Phil Holdgate, ITV Studios
ITV Studios’ recently appointed head of production sustainability Phil Holdgate talks with IBC365 about how the global production giant is seeking to reduce carbon emissions and cut waste on its shows.
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Industry TrendsTransforming production at Vice Media Group
With offices in 35 cities, Vice creates 1700 pieces of content daily across its multiple lines of business - and is now is putting in place production systems to help foster collaboration and unified workflows across the global group. The team in charge of production transformation tell IBC365 what is ...
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Executive InterviewsInterview: Roy C Anthony, DNEG
With a roving brief to explore the nexus of technology and art, Roy C Anthony is revelling in his new role as global head of research at DNEG.
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Industry TrendsCutting the carbon cost of TV production
With streaming platforms ever hungry for content, demand for TV and film production is set to increase at a phenomenal rate, but in the race to feed our binge-watching, we need to be aware of the impact this activity is having on the planet, writes Michael Burns.
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Industry TrendsHDR and UHD grading: vendors boosting metadata and workflow speed as production cycles intensify
Multiple types of deliverable and workflow have been among the challenges facing vendors working to satisfy soaring demand, particularly for HDR grading, writes David Davies.
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NewsThemed week: Crafting Content
IBC365’s content creation-focused themed week will explore the many aspects of making great film and TV, from the acquisition of images and audio to the post-production of content.
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Industry TrendsBehind the Scenes: WandaVision
Marvel’s first scripted series blends its cinematic universe with retro sitcoms and a hint of Hot Fuzz.
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Industry TrendsBroadcast networking: IP migration continues but there’s still plenty of life left in SDI
The pandemic-fuelled shift to remote working has changed the emphasis of IP migration, although it’s clear that SDI will continue to play an important role in broadcast for years to come, writes David Davies.
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Industry TrendsHeard the one about the TV comedy shot in 12K? Sky Deutschland has
A show about the history of comedy for Sky Deutschland’s new thematic HD channel Sky Comedy was shot almost entirely in 12K resolution, no joke.
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Industry TrendsBehind the Scenes: Love & Anarchy
For the team behind Netflix show Love & Anarchy, HDR with Dolby Vision gave the opportunity to explore the kind of textures and subtleties that “made all the difference”.
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WebinarOn-demand: AI-powered post-production
Watch on-demand to discover what the current role of AI is in post-production and how its adoption is likely to evolve.
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Industry TrendsOscars nominations: Inside the editing category
The Oscars editing category features a varied mix of shortlisted films. IBC365 finds out how they were cut, with insight from those tasked with editing the features.
