All Studio Production articles – Page 17
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Industry Trends
The call of the Wild
Wildlife content curators are evolving from vehicles that celebrate natural history into platforms that are enabling communities to take more direct action
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Executive Interviews
Interview: Stephen McNutt, DoP
From old school to new technology, DoP Stephen McNutt tells Alana Foster that the core skills in cinematography remain the same.
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News
Esports comes to play at IBC2019
IBC will explore the technical and commercial opportunities and challenges of the rapidly growing world of esports with an exclusive showcase on 17 September.
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News
UK VFX firm DNEG poised for London IPO
VFX firm DNEG is set for a listing on the London stock exchange, according to Sky News.
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Thought Leadership
Driving next level production efficiency
Remote production in the cloud is the next step for broadcast coverage, writes Haivision EVP & CMO Peter Maag.
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Industry Trends
How Henley is rowing up the stream
Henley Royal Regatta has seen a growth in entries and interest after it opted to live stream its races through YouTube. Ian Volans looks at the 180 year old rowing event’s streaming strategy.
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News
Netflix, Amazon Prime and HBO lead Emmys 2019 nominees
UK productions Game of Thrones, Killing Eve, Bodyguard and Fleabag lead the 2019 Emmys nominees with limited series Chernobyl and When They See Us recognised as expanding the TV landscape.
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Industry Trends
Public service broadcasters need to find the R&D “sweetspot”
Under increasing pressure from OTTs, R&D is more important than ever says the BBC’s Matthew Postgate and the EBU’s Antonio Arcidiacono.
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Executive Interviews
Behind the Scenes: Toy Story 4
Pixar director of photography Patrick Lin explains how he brings a live-action filmmaking approach to computer animation.
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Industry Trends
Creating content for environmental change
As scrutiny on green issues grows, broadcasters and content creators are finding different ways to talk about climate change.
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Industry Trends
How streamer spend is reshaping programme making
The rise of the streaming platforms has sparked a production boom, affecting superindie groups through to smaller indies. It has had a major impact on all genres of programme making too - and the way that shows are now financed. Tim Dams reports.
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Industry Trends
EditFest 2019: Just keep cutting
The seventh annual American Cinema Editors’ London EditFest offered insights into cutting for factual, TV drama, and features, George Jarrett reports.
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Industry Trends
Public service media: Trust in news
Public service news is facing increasing pressures from politicians to declining audiences and attacks on impartiality. But is it all doom and gloom? – Raymond Snoddy investigates.
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Executive Interviews
Craft Leaders: Lee Smith, Editor
Editing films is “very instinctual”, says Oscar winning editor Lee Smith
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Industry Trends
How AI is reinventing visual effects
AI/ML and deep learning is having a huge impact in computer graphics research with potential to transform VFX production.
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News
Netflix to open UK production hub at Shepperton Studios
In a major UK expansion, Netflix has signed a multi-million pound deal to create a production hub at Shepperton Studios outside London.
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Industry Trends
Olly Strous, ITN Productions
ITN Productions has adopted Sony CI cloud platform. George Jarrett speaks with head of postproduction Olly Strous to find out what Impact the technology has had to ITN’s workflow
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Industry Trends
Small, mobile, intelligent: the evolution of broadcast microphones
Alongside audio quality and RF spectrum efficiency, the call for more discreet form factors is driving the design of broadcast microphones – especially in this era of increasingly high-resolution TV, writes David Davies.
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Executive Interviews
Behind the scenes: Men in Black: International
The MIB reboot opened last week. IBC365 goes behind the scenes with VFX Supervisor Alessandro Ongaro to find how he created a world with aliens living on Earth.
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Industry Trends
One small step: Broadcasting the Apollo 11 moon landing
BBC broadcaster James Burke speaks to IBC365 about the future of TV 50 years after covering the live Apollo 11 moon landing