Cinematographer Lol Crawley finds the monumental visual language to capture an artform that is essentially static.
The American Dream is subverted in The Brutalist which starts with a shot of the Statue of Liberty upside down. It marks the arrival by boat of the film’s fictional protagonist, László Tóth, a Hungarian-Jewish architect and Holocaust survivor, emigrating to begin a new life only to find the trauma of war amplified in the land of the free.
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Behind the scenes: A Complete Unknown
All the talk will be about the remarkable lead performance but creating an environment for Timothee Chalamet to shine is as much down to the subtle camera, nuanced lighting and family on-set atmosphere that DP Phedon Papamichael achieves with regular directing partner James Mangold.
Behind the scenes: Bringing live deepfakes to the fore in Here
The breakthrough in the making of Here was not the authenticity of a de-aged Tom Hanks, but that the face-swapping technique could be achieved live on set.
Behind the Scenes: Disclaimer
For all the slippery perspectives in psychological thriller Disclaimer, the truth is lying in plain sight, explains Editor Adam Gough.
Behind the Scenes: Conclave
Mystery, suspense and a game of thrones in the Vatican lensed by cinematographer Stéphane Fontaine.
, Director Jon M. Chu, and Ariana Grande (as Glinda) on the set of Wicked.jpg)
Behind the Scenes: Wicked
Opposing colours in the same frame, 6000 lightning cues and shooting 17 sound stages - one the size of four American football fields, all merit why Wicked is the ‘latest hurrah to the golden days of epic studio filmmaking,’ writes Adrian Pennington.
