Following the success of the IBC Accelerators Project on synthetic humans in 2023, John Maxwell Hobbs caught up with one of the project leaders to discuss subsequent progress and wider market adoption.
One of the eight IBC Accelerator projects in 2023 looked at ‘synthetic humans.’ A synthetic human differs from a traditional CGI animated character in that they are intended to function in real-time in response to a variety of data inputs. They can take several different forms, from a simple text-based chatbot to fully synthesised voices and video personas. For example, the two demos from the Accelerator project brought an historical figure, the opera singer Maria Calas, back to ‘virtual’ life and used voice synthesis to vocalise what a presenter was communicating using British sign language.
Michael Davey, Founder and Technologist at Michael Davey Consulting, was project lead on the second workstream looking at presenting weather forecasts in British Sign Language. Discussing industry developments in the area since the project concluded, he says: “The last six months have been marked in the industry with ongoing exploration into making digital humans more relatable and realistic through better understanding of human actions, enabling more intuitive editing of images and videos, and animating fictional characters in innovative ways. This includes efforts to replicate human body language, micro-gestures, facial expressions, and verbal communication, aiming for digital humans to be central in storytelling and creative processes.”...
You are not signed in
Only registered users can read the rest of this article.
Network Control: Turning 5G into a production tool
Speed, flexibility, and reliability – that’s the dream for many a live production. However, when public network coverage is patchy, what’s a broadcaster to do? The 2026 Accelerator Project, Network Control, deploys standardised network APIs to tackle this problem head-on.
Film University Babelsberg to preview immersive Auschwitz project at IBC2026
Film University Babelsberg Konrad Wolf will present an immersive digital reconstruction of a little-known site associated with Auschwitz at IBC2026, as part of EIT Culture & Creativity's first major presence at the show.
Innovation Awards: Investigating 2026’s Content Creation finalists
What does it take to win a technological innovation award in content creation? Fergal Ringrose, Chair of Judges for the IBC Innovation Awards, assesses the top three projects in the running – revealing the key characteristics of each of the most competitive submissions.
Branded entertainment: Money, freedom, and audiences unite
As traditional broadcasters battle decreasing budgets and attention spans, brands have come to the fore as collaborators in an increasingly lucrative and creatively fertile strand of the media business.
FRAMES: Automating the archive end-to-end
Despite the availability of hundreds of generative AI tools, pre-production environments are still struggling to find a semantic archive search solution that is technically feasible and effective in the real world. Enter FRAMES.



.jpg)