If the UK’s creative industries are to continue to add hundreds of billions of pounds in value to the country’s economy then much will rely on the success of a new network of tech labs exploring the future of media.
“The UK’s creative lifeblood is creative IP,” says James Bennett, director of CoSTAR National Lab. “How does that creative IP live on different platforms and reach audiences beyond screens in hybrid spaces? We need to see creative applications in 5G and 6G that work together with AI neural networks to create a future of holographic imagery, innovative live performance and enhanced mixed reality experiences.”
The CoSTAR Network is the evolution of the government funded Creative Industries Clusters Programme that ran ended in 2023 and spent...
You are not signed in
Only registered users can read the rest of this article.
Spatial computing: “Instead of showing people a story, you’re letting them inhabit it”
Leveraging generative AI, computer vision, and data from real environments, spatial computing has opened the door for cutting-edge systems that blend the physical and digital worlds into a new frontier of human-technology interaction.
NAB preview: Automation, reinvention and politics to steal the show
NAB 2026 looks set to bring a raft of creativity and technological innovation, yet serious political and environmental questions remain.
How vertical video became the new frontline for live sports
Live sports entertainment remains the most powerful driver of real-time engagement in media, but the format through which it’s delivered is rapidly evolving.
From green screen to Unreal worlds: The tech stack driving virtual production
As broadcasters and content creators embrace in-camera VFX and data-driven workflows, a new technology stack is redefining what can be achieved on set and who can afford to achieve it. Framestore’s Connor Ling explores the possibilities of this evolving ecosystem.
Software studios: How inevitable is fully software-defined production?
With the rise of free, high-quality media tools, physical broadcast production hardware is looking less and less essential. IBC365 investigates.
