Making sure there is a clearly defined set of user needs is fundamental to the start of every new phase in the ongoing AMWA NMOS project, writes David Davies.
It has – to put it mildly – been an extremely eventful decade for IP-based media. The migration from SDI and other legacy formats was, at least initially, slow and rather fragmented. But with the publication of the first standards in the SMPTE ST 2110 suite in 2017, the trend really started to achieve traction – first in broadcast, then in related markets such as pro- and enterprise AV.
But although ST 2110 provided many pieces of the IP networking puzzle, it soon became clear that there were ongoing challenges around network discovery, registration and connection management. Simply put, every component put onto a network needed to be immediately recognised and its streams easily connected to other devices. Without a clear roadmap to address these apparent ‘gaps’, there was a real danger that IP media would fail to realise its potential...
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AI and the evolution of MAM: Part three – future outlook
In the final part of our investigation into MAM’s current and future relationship with AI, James McKeown analyses where the technology is likely to take asset management capabilities next, and the other factors driving the evolution of the space.
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Saudi Arabia's cinema market is experiencing a cultural renaissance, driven by increasing local productions and a growing appetite for diverse storytelling, reports Adrian Pennington from the Red Sea International Film Festival.
AI and the evolution of MAM: Part two – current applications
In part two of IBC365’s exploration of the MAM ecosystem, James McKeown finds out where AI is currently having the most positive impact on media workflows.
AI and the evolution of MAM: Part one – risk analysis
Forms of AI and automation have been making efficiencies in media asset management (MAM) systems for some time, but as the technology becomes more powerful and its potential applications more expansive, what are the major considerations and risks of AI’s role in MAM? James McKeown explores in the first of a three-part investigation.
The Rory Peck Awards 2024: Protecting freedom of expression and democracy
Channel 4 recognised as most successful commissioner with multiple finalists in three out of four categories, including two from Katie Arnold in the same category. For the first time, winning entries across all four categories focus on one story, Gaza.
