2022 marked the 10th anniversary of the first significant public demonstration of 8K television when NHK and the BBC co-operated to present the London Olympic Games on 15-meter-wide screens in London, Glasgow, and Bradford, writes John Maxwell Hobbs.
Since that time, there has been widespread adoption of Ultra High Definition (UHD) television in the form of 4K, but widespread consumer adoption of 8K TV still remains an elusive target.
8K TV: 8K evolution
8K, also known as UHDTV-2, is 7680 pixels wide by 4320 pixels tall - sixteen times as many pixels as current 1080p HDTV. This is a similar level of detail to 70 mm IMAX film stock. However, UHD’s enhancements are not limited simply to pixel density. It also offers higher dynamic range and an expanded colour space in both its 4K and 8K flavours.
The first significant step on the road to 8K was in May of 2012 when NHK demonstrated the first UHD shoulder mounted camera. The Olympic games transmission followed shortly after and in August of that year, the ITU officially approved the UHDTV standard, incorporating both 4K and 8K resolutions.
The 10 years since then has seen significant consumer uptake of 4K – TV sets can be found for under £300 and there are a large number of 4K channels available. However, the story has not been the same for 8K. Sets that support the higher resolution made up only...
You are not signed in.
Only registered users can view this article.
AI and the evolution of MAM: Part three – future outlook
In the final part of our investigation into MAM’s current and future relationship with AI, James McKeown analyses where the technology is likely to take asset management capabilities next, and the other factors driving the evolution of the space.
RSIFF: Kingdom underlines ambitions to become filmmaking powerhouse
Saudi Arabia's cinema market is experiencing a cultural renaissance, driven by increasing local productions and a growing appetite for diverse storytelling, reports Adrian Pennington from the Red Sea International Film Festival.
AI and the evolution of MAM: Part two – current applications
In part two of IBC365’s exploration of the MAM ecosystem, James McKeown finds out where AI is currently having the most positive impact on media workflows.
AI and the evolution of MAM: Part one – risk analysis
Forms of AI and automation have been making efficiencies in media asset management (MAM) systems for some time, but as the technology becomes more powerful and its potential applications more expansive, what are the major considerations and risks of AI’s role in MAM? James McKeown explores in the first of a three-part investigation.
The Rory Peck Awards 2024: Protecting freedom of expression and democracy
Channel 4 recognised as most successful commissioner with multiple finalists in three out of four categories, including two from Katie Arnold in the same category. For the first time, winning entries across all four categories focus on one story, Gaza.