Back in 2019, Netflix released data claiming that 45 million accounts – nearly a third of its total subscribers – had streamed the Sandra Bullock thriller Bird Box in its first week on the platform, a record for a Netflix film.
At face value that statistic was extraordinary. All things being equal, had the Susanne Bier-directed film been released in cinemas, it would have racked up nearly half a billion pounds in just one week based on an average ticket price of £10.
That record has since been surpassed by the 2021 comedy action movie Red Notice, which notched up 328.8 million viewing hours and has been seen by over 50 percent of all Netflix users. As reported by Screencrush, Bird Box took four weeks to rack up its 282 million viewing hours. In contrast, Red Notice surpassed that total in just 18 days.
It was proof of the soaring demand to stream movies at home and equally of the importance to streamers of securing original must-see content.
As for the effect on traditional moviegoing…
You are not signed in
Only registered users can read the rest of this article.
Vertical dramas: Market disruptor or passing fancy?
As studios begin to embrace the potential of vertical micro-dramas, should their rise be dismissed as merely a fad or a profound shift in the production, consumption and gender-bias of global storytelling?
ISE 2026: Thriving on an integrated identity
A show that mixes a vast number of different business areas shouldn’t work, but it does because the underlying technology is finally integrated.
Winter Wonderland: All the tech at the Milano Cortina Olympics
Between first-person-view drones, expanded real-time 360° replays, and a massive virtualised production setup, Milano Cortina 2026 is set to be a major step forward in immersive, scalable, and sustainable Olympic broadcasting.
Creator. Experience. Streaming: The new economies of broadcast AV
As brands, corporates, and creators claim their stake in the content landscape, the boundaries between broadcast and professional AV are dissolving. No longer just a convergence, the broadcast AV landscape is now shaped by new economies of creation, experience, and streaming.
AI and the media revolution: A look ahead to 2026
January has only just come to an end, but we are already looking ahead to the next IBC, which takes place as usual at the Amsterdam RAI in September. In the meantime, Content Everywhere companies are polishing their crystal balls and making predictions about what might lie ahead for the video and streaming industry during the next 12 months.


