Opinion

Responsible for more than half of Iceland’s scripted TV output in the past five years, production company Glassriver has adapted to a changing media landscape, becoming experts in navigating international co-productions. CEO Andri Ómarsson explains how these international partnerships are now helping local stories travel further than ever.

Film and TV Charity CEO Marcus Ryder shares his thoughts on the alarming findings from the organisation’s second Money Matters report.

As production teams seek more streamlined and scalable operations for outside broadcasts, Haivision’s Marcus Schioler considers the evolving role of IP and 5G for the secure, reliable and low-latency transfer of live content.

As VP stands on the cusp of revolutionising the industry, Rob Chandler, Founder of Starting Pixel, explains the importance of understanding the technology to harness its expansive potential.

BFE Studio und Medien Systeme Chief Technology Officer (CTO) Hartmut Opfermann explores how flexible and configurable broadcast control systems will revolutionise media workflows as the industry forays into increasingly complex cloud-native production environments.

Northell Finance and Marketing Director Alex Beardsall explores how the advantages of AI in the compliance arena far outweigh its application to creative endeavours when it comes to scaling content production with confidence.

Tom Dvorak, Co-Founder and Chief Commercial Officer at XroadMedia, considers the evolution of AI-supported personalisation and its game-changing impact on the content discovery landscape.

By outlining a handful of certainties in an otherwise turbulent market, Mark Harrison, Founder and Chief Content Officer at DPP, helps to identify the key questions that will shape the future of the M&E landscape.

Laura Ghisiglieri, Global Development & Marketing Director at BB Media, presents the key findings from the company’s ‘Streaming 2024: New Platforms and Global Trends’ report.

During the past two years, the BBC has announced some of the most extensive cuts in its history, affecting nearly all of its production and creative departments. However, it’s the reductions to BBC News and the World Service that are arguably most concerning. David Davies reports.