Channel 4 recognised as most successful commissioner with multiple finalists in three out of four categories, including two from Katie Arnold in the same category. For the first time, winning entries across all four categories focus on one story, Gaza.
Since the Rory Peck Trust was formed in 1995 it has helped over 3,300 journalists, but 2024 saw its crisis fund all used up by August. Recently appointed Executive Director of the Trust Jon Williams (former Managing Director of RTÉ News and Current Affairs) arose to tell the audience that the 30th year was like none before. “This is the toughest role I have ever had,” he confessed. “There has never been a year like this; more countries are involved in more conflicts today than at any time since the end of WWII.
“A record number of journalists and media workers have been killed in the last 12 months, 137 of them in Gaza alone according to the Committee to Protect Journalists. Some 72 journalists have been killed since January, and it does not stop there........
You are not signed in
Only registered users can read the rest of this article.
Content Everywhere: Accelerators for change
Content Everywhere companies are already in planning mode for this year’s IBC. Some will also have been working on, or at least taking note of, projects included in the event’s Accelerator programme.
Why media networks are being rewired for the speed of light
The elimination of OB trucks is just the start of the light revolution. For the media industry, a rewiring of the transport network from electrons to photons promises to unlock AI driven production, immersive formats, and globalised workflows while dramatically cutting energy consumption.
Q-Stream Alpha: Prioritising trust when the network can’t be trusted
As the industry navigates a storm of content authenticity threats, the Q-Stream Alpha: The "Tactical Truth" Pipeline Accelerator seeks to deploy AI, ML, and post-quantum encryption to apply C2PA principles within live workflows.
KICK: Writing the rules of high-altitude immersive production
From camera placement and viewer comfort to movement, pacing and post-production, the French Alps-set KICK provided Altitude101 with a unique opportunity to test, challenge and refine the methods shaping its immersive storytelling.
Sheffield DocFest: “We need to be more weird”
Funding remains a puzzle, but the documentary and factual entertainment genres are thriving at Sheffield Documentary Festival.

.jpeg)
