The VFX blockbuster opts for an old school production by shooting extensively on location and on film.
Director Gareth Edwards returns to Thailand after filming The Creator there for another science fiction but this time with a far bigger budget and a decision to shoot on 35mm in order to recall Steven Spielberg’s 1993 franchise starter...
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Building Bedlam: “Can I shoot an entire feature film on 65mm?”
Given the chance to shoot the 18th century action-drama Bedlam, Cinematographer James Butler crafted a daring project that merged medium-format photography with cutting-edge digital cinema on a customised Blackmagic URSA Cine 17K 65.
Behind the scenes: Undertone
While looking after his dying parents, VR Filmmaker Ian Tuason became obsessed with demonic possession stories, which planted the seed for the uniquely creepy sound design of his first feature.
Crafting suspense: “We wanted to raise the bar again”
Nella Mente di Narciso’s Director of Photography, Gianluca Braccieri, reveals the digital film cameras, custom lighting setup, and end-to-end post-production software the team leveraged to achieve the tension and mystery of the Italian crime documentary series’ highly anticipated third season.
Behind the Scenes: Marty Supreme
The creative team behind Uncut Gems brings its characteristic brash beauty and adrenaline to 1950’s New York City in a screwball drama.
Behind the scenes: Hamnet
Look, lighting and camera movement were stripped back to basics by cinematographer Lukasz Żal to create the stage for Shakespeare’s personal tragedy.
