Tim Burton and Michael Keaton’s return to the fantasy horror comedy hit is lensed by Greek-Cypriot cinematographer Haris Zambarloukos. Adrian Pennington reports.
When director Tim Burton sat down with his cinematographer to discuss a sequel to 1988’s cult hit Beetlejuice he told Haris Zambarloukos (BSC); ‘I’ve already made that film’.
“There’s a world already set up, there is a precedent there but he didn’t want to breathe life into old bodies. He wanted to treat each scene of the new film on its own terms,” says the DoP of his first experience working with Burton. Zambarloukos regularly composes films with Kenneth Branagh including spooky house feature A Haunting in Venice (2023). He says the Edward Scissorhands director knows what he wants...
You are not signed in
Only registered users can read the rest of this article.
Building Bedlam: “Can I shoot an entire feature film on 65mm?”
Given the chance to shoot the 18th century action-drama Bedlam, Cinematographer James Butler crafted a daring project that merged medium-format photography with cutting-edge digital cinema on a customised Blackmagic URSA Cine 17K 65.
Behind the scenes: Undertone
While looking after his dying parents, VR Filmmaker Ian Tuason became obsessed with demonic possession stories, which planted the seed for the uniquely creepy sound design of his first feature.
Crafting suspense: “We wanted to raise the bar again”
Nella Mente di Narciso’s Director of Photography, Gianluca Braccieri, reveals the digital film cameras, custom lighting setup, and end-to-end post-production software the team leveraged to achieve the tension and mystery of the Italian crime documentary series’ highly anticipated third season.
Behind the Scenes: Marty Supreme
The creative team behind Uncut Gems brings its characteristic brash beauty and adrenaline to 1950’s New York City in a screwball drama.
Behind the scenes: Hamnet
Look, lighting and camera movement were stripped back to basics by cinematographer Lukasz Żal to create the stage for Shakespeare’s personal tragedy.


