Films shot on film, fake AI controversy, a collection of CG apes, and a trio of nods to Robbie Williams make the list of nominees for Cinematography, Editing and VFX Academy Awards.
Robbie Williams has his paw prints all over the Oscars. In Netflix’s 13-times nominated genre-bending musical drama, Emilia Pérez, his 2013 song ‘Swing Supreme’ plays at a dinner party scene in London that marks a crucial turning point in the characters' lives.
The credits roll and the needle drops on Williams' former band Take That’s ‘Greatest Day’ while the camera tracks down a lineup of fishnet-clad dancers at the start of six-times nominated Anora.
And, of course, in Better Man, Williams thumbs his nose at the establishment in a biopic which receives a single Oscar nod for the VFX rendition of the pop minstrel as a chimp.
Three of the five nominations for Cinematography are shot on old-school celluloid keeping up the astonishing hit ratio of awards-nominated movies shot on film, which is around 5% of all films shot every year.
AI also features this year ...
You are not signed in.
Only registered users can view this article.
.jpg)
AI through the looking glass: Digital natives
When it comes to AI, the M&E industry should take a more active interest in the views of its young people if it wants them to remain part of it, writes James McKeown.
NAB preview: Agentic AI poised to steal the show
New imaging technologies, AI creative mates and wrestlers await visitors to Las Vegas while America’s free press is under attack.
Inside virtual production’s latest processing and toolset innovations
Advances in GPU capability and algorithms are among the developments allowing ‘more to be done with less’ as virtual production technology and techniques continue to evolve, writes David Davies.
Content Everywhere: Getting (more) personal in the AI era
Content Everywhere companies cite service personalisation as an area in which artificial intelligence (AI) and data will play an increasingly transformative role in the highly competitive streaming market.
/Hero Shot - LED Wall at NFTS Virtual_Launch_0128 (1).jpg)
Level up: Addressing the skills gap in virtual production
As virtual production technology becomes more ubiquitous, the need for real-world training and development for professionals of all levels becomes paramount. John Maxwell Hobbs explores the education and training programmes on offer from academic institutions and industry organisations.
