IBC Keynote: ABC’s Damian Cronan unveiled how the Australian public broadcaster is deploying AI through its “ABC Assist” tool. The system is designed to support staff, streamline workflows, and unlock archives, all while staying true to editorial values.
Taking to the stage on day two (13 Sept) of IBC2025, Damian Cronan, Chief Digital and Information Officer (CDIO) at ABC was clear about the broadcaster’s intentions: “We are not out to replace journalists with an AI bot.”
He added: “How do we assist our journalists to be more efficient, more effective, more impactful in their journalism every day?”
That philosophy underpins ABC Assist, the in-house AI tool now being rolled out across the broadcaster’s 5,000-strong workforce. Cronan stressed that the emphasis has been on empowering staff. “We want staff to be accountable for their work and the quality of their journalism. So how do we assist the workforce? By providing them a research tool, allowing content makers to rapidly understand discovery and focus on high-quality stories.”
Four pillars of AI investment
Cronan described ABC’s four pillars of AI investment. “First, we want to give universal access to everyone. Then we’re seeing very domain specific tool use and utilisation. And then for the elements that we can’t buy, that the market will not solve, how do we focus our engineering time and effort on the areas that are going to make competitive advantage for us that we cannot secure commercially? Then we want to just have that flywheel of experimentation and innovation to sit along with it.”
The approach balances pragmatism with ambition: using off-the-shelf solutions where possible, while targeting investment in tools like Assist that confer a competitive advantage.
Building the architecture
Central to ABC Assist is an architecture built around the broadcaster’s vast archives. “By legislation, we’re obligated to retain everything we produce. We are sitting on hundreds of thousands of hours of content,” Cronan said.
The system ingests that material, applying a multimodal model for semantic understanding, before creating metadata and embeddings stored in a vector database. A large language model (LLM) then provides the interface. “We wanted a LLM that would respond and write back to us as another journalist, consistent with our own editorial standards,” Cronan noted. “We needed to make sure the model was particularly grounded and minimise any risk of hallucinations.”
This design allows natural-language search across decades of radio, TV, and digital output down to the frame level. “If you’ve got 90 minutes of file footage in the archive, a lot of you spend a lot of time scrubbing through that to find the particular full quote or particular interview segment that you need. We’ve used AI in this instance so it will take you to the frame specific reference that is most relevant to the question you asked.”
Lessons learned
The development process wasn’t without friction. “We spent the first two months storming,” Cronan admitted, describing the culture clash between fast-moving digital teams and rules-driven archivists. But the result is a product now being used by 600–700 staff, with rollout planned to thousands more.
Early impact has been clear: faster turnaround times, surfacing unexpected story leads, and reducing research workloads. Cronan sees this as just the beginning. “We’ve now got a model that I can’t buy – it’s got everything the ABC has ever produced in it. Having built that level of confidence, we can now look at audience-facing propositions.”
For now, Assist remains an internal tool, a deliberate choice to ensure safety and trust. “Trust is such a major part of the brand and value of the organisation,” Cronan emphasised.
Hybrid by design: How immersive tech is transforming remote collaboration
From shared virtual spaces and volumetric media to real-time engines and cloud rendering, broadcast and proAV teams are moving beyond simple connectivity towards collaboration that feels genuinely co-located.
Creator takeover at MPTS: “You’re competing for tiny slices of attention”
Exhibitor and conference sessions still nestle deep-tech dives about compression alongside tutorials on podcasting, but this no longer feels incongruous. Adrian Pennington reports.
TV: The Bigger Picture – “Measurement is valuation”
DTG’s annual TV: The Bigger Picture conference predicted an upcoming measurement war and stressed the importance of inclusivity in the rush for greater technological adoption. George Jarrett reports.
Creative Cities Convention: “See your background as an asset”
The Creative Cities Convention in Liverpool, UK, featured a range of highlights, including the first public speech from Channel 4’s new CEO, strategies to strengthen working-class voices, and the latest updates on a burgeoning regional production base.
Closing the security execution gap: “We are in a crisis… we collectively need to be aware”
Gathering at an IBC Roundtable, the industry’s top security experts confronted the 2026 TPN Star Report’s urgent results, the sharp increase in threat exposure, and the missing execution step for broadcasters, studios, and service providers alike.


.jpg)
