Having been successfully deployed for key live events and reality shows, 5G production has proven its mettle for the big stage. John Maxwell Hobbs explores how its wider adoption is set to transform the broadcasting landscape.
The advent of using standalone 5G networks in television production heralds a transformative era in broadcasting. This evolution, exemplified in its use in both the coronation of King Charles III and the innovative live production of Big Brother Brasil, embodies a shift towards a more accessible and dynamic approach to production. The integration of 5G technology not only underscores a technological leap but also catalyses the democratization of the broadcasting industry, paving the way for a future unbound by the constraints of traditional broadcasting methodologies.
“This is not a proof of concept - this is ready and being used in prime time,” says Malcolm Brew, Senior Knowledge Exchange Fellow at the University of Strathclyde, and Lead Technology Consultant with Strathclyde spin-out company Neutral Wireless, affirming...
You are not signed in.
Only registered users can view this article.
AI and the evolution of MAM: Part three – future outlook
In the final part of our investigation into MAM’s current and future relationship with AI, James McKeown analyses where the technology is likely to take asset management capabilities next, and the other factors driving the evolution of the space.
RSIFF: Kingdom underlines ambitions to become filmmaking powerhouse
Saudi Arabia's cinema market is experiencing a cultural renaissance, driven by increasing local productions and a growing appetite for diverse storytelling, reports Adrian Pennington from the Red Sea International Film Festival.
AI and the evolution of MAM: Part two – current applications
In part two of IBC365’s exploration of the MAM ecosystem, James McKeown finds out where AI is currently having the most positive impact on media workflows.
AI and the evolution of MAM: Part one – risk analysis
Forms of AI and automation have been making efficiencies in media asset management (MAM) systems for some time, but as the technology becomes more powerful and its potential applications more expansive, what are the major considerations and risks of AI’s role in MAM? James McKeown explores in the first of a three-part investigation.
The Rory Peck Awards 2024: Protecting freedom of expression and democracy
Channel 4 recognised as most successful commissioner with multiple finalists in three out of four categories, including two from Katie Arnold in the same category. For the first time, winning entries across all four categories focus on one story, Gaza.