As a long-term pacesetter for the use of new broadcast technology, it’s to be expected that the industry-wide skills gap is especially acute in live sports, writes David Davies.
From HD to 4K, HDR and IP-based production, live sports has always been a critical testing ground for new technologies. With broadcasters and rights holders eager to enhance their offerings in a hugely competitive sector, there is an availability of resources that allows emerging technologies to be fully assessed – sometimes when they are still at a relatively formative stage.
Of course, all of that depends on having the skills and talent to develop and deploy new technologies successfully. The ascension to prominence in recent years of initiatives such as the RISE Academy, ScreenSkills and the Global Media and Entertainment Talent Manifesto is part of a broader recognition of the need to take a more active role in nurturing new generations of engineering and technical talent if the industry is to continue thriving...
You are not signed in
Only registered users can read the rest of this article.
Vertical dramas: Market disruptor or passing fancy?
As studios begin to embrace the potential of vertical micro-dramas, should their rise be dismissed as merely a fad or a profound shift in the production, consumption and gender-bias of global storytelling?
ISE 2026: Thriving on an integrated identity
A show that mixes a vast number of different business areas shouldn’t work, but it does because the underlying technology is finally integrated.
Winter Wonderland: All the tech at the Milano Cortina Olympics
Between first-person-view drones, expanded real-time 360° replays, and a massive virtualised production setup, Milano Cortina 2026 is set to be a major step forward in immersive, scalable, and sustainable Olympic broadcasting.
Creator. Experience. Streaming: The new economies of broadcast AV
As brands, corporates, and creators claim their stake in the content landscape, the boundaries between broadcast and professional AV are dissolving. No longer just a convergence, the broadcast AV landscape is now shaped by new economies of creation, experience, and streaming.
AI and the media revolution: A look ahead to 2026
January has only just come to an end, but we are already looking ahead to the next IBC, which takes place as usual at the Amsterdam RAI in September. In the meantime, Content Everywhere companies are polishing their crystal balls and making predictions about what might lie ahead for the video and streaming industry during the next 12 months.



