IBC365 speaks with key players on the new technologies, methods and practices available to productions to help sustain the future of content.
Global screen industries emitted more than 130,000 tonnes of CO2 in 2022 according to an international report by BAFTA albert, urging an industry-wide commitment to net zero carbon emissions by 2050.
Whilst studio production often follows sustainability protocols established by albert, filming away from the comfort of these facilities presents a series of energy consumption issues. So what can productions do on location to ensure everyone is working towards the same goal?
The knowledge gap
Lily Limmer, Sustainability Consultant at Picture Zero, worked as a Sustainability Officer for Apple TV’s The Essex Serpent, which won two awards around sustainability (including the British Film Designers Guild’s (BFDG) Planet Positive Award). She explained that ‘sustainable production’ means incorporating practices from the ground up: “We wanted to attempt to tackle every sustainability issue with (The Essex Serpent), knowing that...
You are not signed in
Only registered users can read the rest of this article.
IBC Content Everywhere: Keeping the customer
Consumers have a lot of choices these days when it comes to streaming video content. Indeed, the sheer number of available services can seem overwhelming, leaving customers with often difficult decisions to make about which services to choose, especially when they already have several other demands on their wallets. In this piece, Content Everywhere companies explore what streaming providers can and should be doing to retain existing customers and attract new ones where possible.
Virtual thinking: Is education keeping pace with industry requirements?
Investments in university-led facilities and studio partnerships throughout the UK have seen virtual production, real-time engines and hybrid pipelines move from the margins into mainstream curricula. But is higher education matching the skills demand from the industry? Michael Burns reports.
Vertical dramas: Market disruptor or passing fancy?
As studios begin to embrace the potential of vertical micro-dramas, should their rise be dismissed as merely a fad or a profound shift in the production, consumption and gender-bias of global storytelling?
ISE 2026: Thriving on an integrated identity
A show that mixes a vast number of different business areas shouldn’t work, but it does because the underlying technology is finally integrated.
Winter Wonderland: All the tech at the Milano Cortina Olympics
Between first-person-view drones, expanded real-time 360° replays, and a massive virtualised production setup, Milano Cortina 2026 is set to be a major step forward in immersive, scalable, and sustainable Olympic broadcasting.


