BBC Sport’s John Murphy divulges the expert insights he gained on AR, LED volumes and camera tracking from setting up the virtual studios for Match of the Day and several major sporting tournaments.
When BBC Sport moved to MediaCity, Salford, in 2011, it arrived with the opportunity to refresh the flagship soccer highlights show Match of the Day (MOTD). Having been produced from a traditional set for its previous 47 years on air, the MOTD production soon broke ground by...
You are not signed in
Only registered users can read the rest of this article.
Access all areas: A diversity platform made for media
Born from his own experiences as a wheelchair-bound camera operator, Chris Lynch’s disabled-led production house Diverse Made Media has turned the frustrations of limited mobility and opportunity into a game-changing piece of camera technology, named Caerus. With it, Lynch is on a mission to shake up the industry and bridge its diversity gap.
.jpg)
Stephen J Arnell: “AI definitely has its uses, but it is presently way too bland”
Writer and producer Stephen J Arnell shares his opinions on how the trends of today will shape the industry of tomorrow.
Nicolas Winding Refn: “If you mass produce nothingness, why would anyone care?”
The Danish auteur is back with a new movie, a prominent role in a computer game, and the same confrontational attitude to formulaic art.
Tech Papers 2025: EBU details development of victorious multilingual chatbot
A team from the EBU and HEIG-VD recently won the coveted Best Technical Paper at IBC2025 for their project on an AI chatbot for ‘trusted news’. David Davies finds out more.
CTO Panel: WBD’s Avi Saxena on facing a “highly volatile but innovative” industry
IBC Conference: Warner Bros. Discovery’s Avi Saxena will take part in an IBC panel of CTOs investigating how best to extract value from the new and rapidly evolving tools of the trade.
