Cinematographer Callan Green breaks down the colourful visual aesthetic of the action-comedy sequel Nobody 2.
Universal Pictures’ 2021 action film Nobody made $57 million on a budget of $16 million, cashing in on the unlikely premise of Bob Odenkirk’s suburban family man character as an undercover special ops agent. The sequel, also from Writer Derek Kolstad and Producer David Leitch – the creators of the John Wick franchise – dials up the slapstick as trouble follows Odenkirk’s ‘Hutch’ even while he tries to relax on holiday.
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Building Bedlam: “Can I shoot an entire feature film on 65mm?”
Given the chance to shoot the 18th century action-drama Bedlam, Cinematographer James Butler crafted a daring project that merged medium-format photography with cutting-edge digital cinema on a customised Blackmagic URSA Cine 17K 65.
Behind the scenes: Undertone
While looking after his dying parents, VR Filmmaker Ian Tuason became obsessed with demonic possession stories, which planted the seed for the uniquely creepy sound design of his first feature.
Crafting suspense: “We wanted to raise the bar again”
Nella Mente di Narciso’s Director of Photography, Gianluca Braccieri, reveals the digital film cameras, custom lighting setup, and end-to-end post-production software the team leveraged to achieve the tension and mystery of the Italian crime documentary series’ highly anticipated third season.
Behind the Scenes: Marty Supreme
The creative team behind Uncut Gems brings its characteristic brash beauty and adrenaline to 1950’s New York City in a screwball drama.
Behind the scenes: Hamnet
Look, lighting and camera movement were stripped back to basics by cinematographer Lukasz Żal to create the stage for Shakespeare’s personal tragedy.
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