Martin Čehulić, CTO and Head of Production at FNC, reveals how the company designed and deployed its first OB van using the latest production systems from Blackmagic Design.
Established in 2019, the Fight Nation Championship (FNC) is a leading mixed martial arts (MMA) organisation in southeastern Europe. With a focus on showcasing the best local and emerging talent, its events are hosted at arenas across the region, including: Arena Zagreb and Arena Pula, in Croatia; Arena Stozice in Ljubljana, Slovenia; and the Beogradska Arena in Belgrade, Serbia.
Each event is broadcast via FNC’s dedicated pay-per-view (PPV) platform, FNC.tv, with coverage additionally distributed via SVOD platform Voyo. Replays of the events are carried by RTL 2 TV in Croatia, which is owned by regional broadcaster Central European Media Enterprises (CME).
You are not signed in
Only registered users can read the rest of this article.
Closing the security execution gap: “We are in a crisis… we collectively need to be aware”
Gathering at an IBC Roundtable, the industry’s top security experts confronted the 2026 TPN Star Report’s urgent results, the sharp increase in threat exposure, and the missing execution step for broadcasters, studios, and service providers alike.
The dish is not dead: Why the future of TV delivery is hybrid
IP is clearly gaining ground. Yet, infrastructure and distribution specialists suggest that it’s no silver bullet for the reliable, personalised, instantaneous delivery that today’s audiences demand. In this context, has satellite lost relevance, or is it simply no longer the only player in orbit?
World AI Film Festival: “There is no emotion in AI”
The World AI Film Festival fielded new and established storytelling voices, but the jury is out on whether AI can capture the human spirit of cinema. Adrian Pennington reports.
IBC Content Everywhere: Cloud adoption reaches a critical point
The adoption of cloud-based working practices is an ongoing process within the Content Everywhere industry. While most streaming companies have embraced the cloud, there have been concerns in the past about a lack of strategic focus and whether providers are adopting cloud-native solutions rather than relying on virtualised or cloud-ready solutions.
Virtual production after the hype: Where it actually works now
Virtual production is no longer being treated purely as spectacle or novelty – it is becoming a production tool, with clear strengths, clear limits, and a growing body of experience around how to use it well across a range of budgets. IBC365 investigates.
