_ Private 3G (1).jpg)
The ‘Conquering the Air(waves): Private 5G from Land to Sea to Sky’ Accelerator project explores how deploying private 5G networks, particularly through airborne and mobile solutions, can dramatically transform live broadcast production.
This project emerges from successful deployments at the Paris and Marseille Olympic events last year, notably the opening ceremony along the River Seine and sailing competitions offshore.
The objective is not simply to test technological limits, but to create a reliable, scalable system that enhances storytelling for live sports and events. These enhancements include bringing audiences closer to the action, whether that’s from the water, land, or air, and enabling coverage in areas where public networks are unreliable or non-existent. The project’s emphasis on practical, deployable technology means it’s not limited to concept but geared toward real-world use cases with a pathway to commercial adoption.
You are not signed in
Only registered users can read the rest of this article.
World AI Film Festival: “There is no emotion in AI”
The World AI Film Festival fielded new and established storytelling voices, but the jury is out on whether AI can capture the human spirit of cinema. Adrian Pennington reports.
IBC Content Everywhere: Cloud adoption reaches a critical point
The adoption of cloud-based working practices is an ongoing process within the Content Everywhere industry. While most streaming companies have embraced the cloud, there have been concerns in the past about a lack of strategic focus and whether providers are adopting cloud-native solutions rather than relying on virtualised or cloud-ready solutions.
Virtual production after the hype: Where it actually works now
Virtual production is no longer being treated purely as spectacle or novelty – it is becoming a production tool, with clear strengths, clear limits, and a growing body of experience around how to use it well across a range of budgets. IBC365 investigates.
NAB 2026 technology round-up: “The biggest shifts in media are no longer theoretical”
The 2026 NAB Show has wrapped after welcoming more than 58,000 registered attendees and a host of new tools and technologies intent on shaping the future of media.
NAB 2026 review: “Live immersive production is here, and it’s extraordinary”
If there is a single takeaway from NAB 2026 it’s that the broadcast media industry is rebalancing. The centre of gravity is shifting, the customer base is diversifying, and the definition of “media” is expanding across sectors.
.jpg)
