Features

DTG CEO Richard Lindsay-Davies passionately called for regulators to “leave no one behind” as IPTV clearly looks to dominate into the future. George Jarrett reports.

Is GenAI even capable of producing a long-form masterpiece and at what point does something become an AI original that deserves copyright protection? IBC365 delves deeper into the key ethical debates surrounding GenAI and media production.

Last week, Deepa Subramaniam, Adobe’s Vice President of Product Marketing for Creative Cloud, was excited to reveal Adobe’s Firefly generative AI model at Adobe MAX London. Michael Burns questions her about the fears and hopes this new influence will have on post production.

The Rory Peck Trust (RPT) and the US Embassy teamed up to celebrate World Press Freedom Day 2024, for a mixed audience of experienced news journalists and 50+ students studying Journalism at seven colleges including UCL, Goldsmiths, Kings College and Oxford Brookes. The event included a session on AI’s influence on journalism, and several masterclasses, George Jarrett reports.

IBC365 has kicked off its series of bitesize tutorials, which offer a peek behind the scenes of the industry’s most pressing trends. Part 1 introduced speakers from Staffordshire University’s £2.9 million expanded esports provision discussing the growth of esports, the future potential for broadcast solutions and the cutting-edge technology used in the University’s brand-new arena.

The advent of cloud computing technologies means the broadcast industry is currently undergoing a seismic shift. This transition from traditional hardware-based setups to complex IT-centric systems is fundamentally altering the landscape of media production. Industry veterans Stuart Ray, the Head of Skills and Development at The IABM and Damon Neale, the Managing Director of consulting firm Mediate Solutions highlight the urgent need for a revamped approach to training and development within the industry.

When it comes to producing an eye-catching spectacle, esports companies have come a long way since the early days of small-scale tournaments and low production values. Today, a regular production for a high-tier tournament has dozens of people taking part, and using some of the most high-tech products available.

The countdown is on for the Paris Olympic Games, which begin on 26 July and run until 11 August. As well as a showcase for sporting prowess and achievement, the event also presents a huge opportunity as well as a challenge to those responsible for ensuring every moment is captured and broadcast to viewers around the world, with streaming services set to play an increasingly important role.

In Alex Garland’s action thriller cameras are a weapon of truth, writes Adrian Pennington.

Now available on-demand, IBC365’s latest webinar explores the most recent collision between gaming and television, and how advances in CTV, streaming and VR pave the way for new forms of media consumption.