News (L-R) Dominic Constandi, Kenna Hilburn and Tom Sharma

Avid adds three senior executives to leadership team

Interview

Juno Innovations to bring VFX at scale closer to home

Features

Wary eye on AI: Post cautiously embraces new generation of tools

Features

Oscars 2025: Craft winners

Features Joel Edgerton and Felicity Jones in Train Dreams, edited by Parker Laramie

Behind the scenes: Editing Sugar Babies and By Design in Premiere

News

Flawless launches AI-powered editing tool DeepEditor

News

Sylvester Stallone invests in film and TV AI platform Largo.ai

Features 741570274

Data-driven audio: Why AI is sounding great for everyone

Opinion 237302128

Working conditions in post-production: “It’s a factor in not having children”

Tutorials

The future outlook for video editors

News 1622692108

SMPTE names Raymond Yeung as Standards Vice President

Features

Rise of the creator economy – the democratisation of content creation

Tutorials

Legal considerations for AI in production

Tutorials

AI – Tutorial, Ep 3: AI innovations in video editing

Features

Behind the scenes: Bringing live deepfakes to the fore in Here

Features Behind the scenes: Joker: Folie à Deux

Behind the scenes - Joker: Folie à Deux

IBC Show VOD

American Cinema Editors (ACE): Job ter Burg on how AI is extending the editor's toolkit

Features

How did Johnnie Burn become an Oscar-winning Sound Designer?

Features

How did the BBC restore and colourise The Daleks 60 years after it first aired?

Features Phylicia Pearl Mpasi and Halle Bailey

Behind the Scenes: The Colour Purple

Features Special Ops: Lioness

Behind the Scenes: Special Ops: Lioness

Features You vs. Wild: The new Bear Grylls interactive show, launches April 10

Netflix original: Inside Netflix’s post-production operation