Matthew Celia, Co-Founder and Creative Director of immersive studio Light Sail VR, reveals how he leveraged the magic and psychology of VR to deliver a live, Emmy-winning 3D 360° production of Saturday Night Live, and where he expects the technology to go next.
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EIT Culture & Creativity: “Too often, Europe generates the ideas, while others capture the economic value”
Anette Schaefer, CEO of EIT Culture & Creativity, dissects the organisation's role as European Innovation Partner for IBC2026’s Future Tech Ignite program, and how the initiative is set to bridge the gap between invention and market adoption.
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XR at Versailles: Bringing history to life at scale
As questions over the commercial viability of VR abound, the Château de Versailles seems to have cracked the code. Entwining future and history, the cultural landmark is hosting an immersive experience that brings together UX, game mechanics, spatial interaction, and live on-site operations for 10 million visitors a year.
Adam Waters, BFBS: “You’re ignoring one of the biggest media types in the world”
One week into his newly created role as Director of AI Culture and Gaming at the British Forces Broadcasting Service (BFBS), Adam Waters sits down with IBC365 to reveal his plans to take the organisation into the next era of broadcasting.
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Jeff Ulin: “The remote? So old school”
Following the release of the fourth edition of his book The Business of Media Distribution, Jeff Ulin looks back on his 25-year journey through the industry – and ahead to the world of AI.
BFBS: “I’ll admit, it’s interesting we’ve taken that decision”
Fresh off a 10-year contract renewal with the UK’s Ministry of Defence (MOD), Ben Chapman, CEO of BFBS, divulges how the organisation is revamping its media services to the world’s most remote locations and reveals an exclusive on the forthcoming appointment of a Director of AI Culture and Gaming.
