Gracenote, the content data business unit of Nielsen, has released a new report providing data and insights on the changing state of free ad-supported streaming television (FAST) for distribution platforms and advertisers seeking to monetise consumer engagement with FAST programming.
According to the report, which is based on data from Gracenote’s own database, the number of active FAST channels in key markets including the U.S., UK, Germany and Canada have nearly doubled since mid-2023 to more than 1,610 today. Nearly three-fourths of the available FAST channels are in the U.S., the leading FAST market. Collectively, more than 178,000 unique programmes, episodes and movies are available on FAST channels.
A notable finding is that FAST channel content is no longer an archive of old content, with more than 70% of it produced since 2010.
Meanwhile, sports, reality and news/commentary programming make up the top three genres in FAST. Reality is the fastest-growing FAST channel genre with an increase of 626% from 19 to 138 channels since July 2024. The number of sports channels on FAST has more than doubled in the last year to 220 today.
Entertainment is the most common FAST channel genre, accounting for 303 channels. Gracenote defines the entertainment genre as TV programmes that are presented in a non-story-based format and usually filmed live in a studio.
Tim Cutting, Chief Revenue Officer at Gracenote, said: “FAST is in many ways a unique service, but its lifeblood is still content. So, programme-level metadata providing understanding of FAST content is more important than ever to audience engagement and advertising initiatives.”
The 2025 Gracenote FAST report is available for free here.
You are not signed in
Only registered users can comment on this article.
Expanded Future Tech to showcase the very best in innovation, technology and talent
After a successful debut in 2025, Future Tech returns to Hall 14 of the RAI this year, with more features, more innovation and more of the technologies shaping the next era of media and entertainment.
UK TV industry advocates out-of-hours guidelines
The UK television industry has backed new guidelines to minimise out-of-hours contact to help improve work-life balance in the sector.
EU approves Paramount's WBD acquisition with conditions
The European Commission has approved Paramount Skydance’s proposed $110bn acquisition of Warner Bros. Discovery.
Isabel Davis to become Director of BFI Filmmaking Funds
The British Film Institute (BFI) has named Isabel Davis as Director of its BFI National Lottery Filmmaking Funds.
Netflix uses GenAI on 300 titles in 2026
Netflix has revealed that nearly 300 titles on its platform have used generative AI, from early concept stages and pre-visualisation through to post-production and release.

.jpg)

.jpg)