Features

Back in 2019, Netflix released data claiming that 45 million accounts – nearly a third of its total subscribers – had streamed the Sandra Bullock thriller Bird Box in its first week on the platform, a record for a Netflix film.

AI is seeing rapid adoption in broadcast environments, as it offers substantial cost and efficiency benefits, while the barriers to entry are dropping fast... You’ve undoubtedly heard of AI (artificial intelligence) before, whether in a purely science fiction context, or a broadcast industry one. As a result of this wide recognition, the technology as a whole has been through an extended and enhanced hype cycle in the recent past.

Hollyoaks with an art school twist: DOP Diana Olifirova explains how Netflix teen drama Heartstopper wears its heart on its sleeve.

Stephen Graham is a chef with a simmering temper in a feature length one-take kitchen drama filmed at a real-life restaurant. Director Philip Barantini and cinematographer Matthew Lewis explain how it was done.

Nvidia thinks it has the fabric for building the metaverse on a larger than planet scale.

James Bond is back in No Time To Die, but the 007 agent is wounded. Cinematographer Linus Sandgren delivers the emotional punch with 35mm, 65mm and IMAX film.

Transforming Wes Anderson’s idiosyncratic aesthetic into a visually consistent physical format presented a series of challenges for the film’s production designer and director of photography.

After years of cost squeezing, major efforts are underway to increase the volume and quality of content localisation.

Boom Radio, which launched last month, is thought to be the first UK station without a central studio facility. Kevin Hilton found out how the presenters are broadcasting entirely from home.

The techniques behind Mank, David Fincher’s digitally dexterous emulation of Hollywood’s classic era, are revealed.