The cinematographers behind Netflix sci-fi series explain why the sun was such an important element in the show’s VR game world and how they played the story’s fictional science straight down the line.
ttempting to do for science fiction what Game of Thrones did for fantasy, Netflix series 3 Body Problem mixes a large cast and a constellation of locations with shifting timelines, astrophysics and alien invaders.
Game of Thrones’ showrunners David Benioff and D.B. Weiss were reportedly handed $20m an episode – bigger than GoT’s budget - to adapt the sci-fi novels of Chinese writer Liu Cixin into eight parts of what is hoped will be the first of several seasons.
Like events in Westeros, the arc of the story is one of impending threat centred around...
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Behind the Scenes: Disclaimer
For all the slippery perspectives in psychological thriller Disclaimer, the truth is lying in plain sight, explains Editor Adam Gough.
Behind the Scenes: Conclave
Mystery, suspense and a game of thrones in the Vatican lensed by cinematographer Stéphane Fontaine.
, Director Jon M. Chu, and Ariana Grande (as Glinda) on the set of Wicked.jpg)
Behind the Scenes: Wicked
Opposing colours in the same frame, 6000 lightning cues and shooting 17 sound stages - one the size of four American football fields, all merit why Wicked is the ‘latest hurrah to the golden days of epic studio filmmaking,’ writes Adrian Pennington.
Behind the Scenes: Blitz
The director of 12 Years A Slave and Small Axe has created a historical aesthetic of a tragic and turbulent London, depicting lives subjected to a permanent black out, in Blitz, Steve McQueen’s new film based on authentic anecdotes and inspired by filmmaker archives of the era.
Behind the Scenes: How sound and vision get under the skin in Nickel Boys
Re-recording Mixer Tony Volante and Cinematographer Jomo Fray explain how they told a drama from the perspective of its lead characters.
