Petabyte-scale file post-production by consolidating multiple locations and workflows onto the Qumulo File Data Platform.
Prague, the capital of the Czech Republic, is a magical city. The ancient, cobbled streets and buildings of the old town seem to have been dreamed up in a fairy tale. Within its timeless medieval beauty, however, there beats a heart which is much more modern.
PFX is a leading Full Service Post-Production Studio. Founded in 2012 as a small boutique studio with just four artists, PFX has grown to become one of the most significant and trusted VFX companies in the CEE region, boasting four branches and an experienced international team of over 150 artists The studio’s mission is to...
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Beeb Watch’s Roger Bolton: “If you don’t have sufficient technical knowledge, you have a real problem”
During the past two years, the BBC has announced some of the most extensive cuts in its history, affecting nearly all of its production and creative departments. However, it’s the reductions to BBC News and the World Service that are arguably most concerning. David Davies reports.
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Working conditions in post-production: “It’s a factor in not having children”
Independent Human Rights Consultant Amelia Knott shares her thoughts on some of the key findings from a recent investigation commissioned by the TV Industry Human Rights Forum in partnership with the Film and TV Charity into worker conditions in the UK’s post-production industry.
Opinion: With AI, MAM systems can finally deliver on their potential
Next-gen AI tools have become integral to media asset management systems. Transitioning to advanced capabilities with multimodal and generative AI unlocks enhanced searchability, contextual insights, and new ROI opportunities. Frederic Petitpont, Co-Founder and CTO of Moments Lab, explains more.
How 2024 has become the 5G Broadcast Olympics
Frank Copsidas, President of the 5G Broadcast Collective, discusses the transformative potential of 5G Broadcast technology, a novel platform for delivering content directly to smart devices equipped with a 5G broadcast-enabled modem chip.
UK’s indie producers need to embrace private equity or risk being left behind
According to recent stats from the British Film Institute (BFI), spending on film and high-end television production in the UK reached £4.2bn in 2023. While this is great news at face value, Sarudzayi Marufu, founder and executive producer of Euras Films, argues that domestic film and TV producers are being neglected, representing only 11% of the total spend. Marufu believes that the return of private equity could help bring UK indie film back from the brink.
