Oscar-winning Sound Designer Johnnie Burn on why being a runner is still the best route to success and how he creates the unsettling unorthodox worlds for Yorgos Lanthimos, Jordan Peele and Jonathan Glazer.
Over-the-top services and streaming platforms have significantly changed the way we consume content, offering a wide array of entertainment and media directly over the internet. With this transformation, a major concern has emerged: transparency on the way that user data is used for Dynamic Ad Insertion. John Maxwell Hobbs reports.
Award-winning Cinematographer David Luther had to draw on all his experience to help create a convincing backdrop for this dystopian short-story adaption. Adrian Pennington reports.
While streaming services and media businesses are experimenting with new business models and subscription tiers including AVOD, FAST and SVOD, market competition and cost-of-living challenges means consumers are looking to trim costs and cut the number of services to which they are prepared to subscribe.
Masters of the Air takes place over the skies of Nazi-occupied Europe and at the very least doesn’t flinch from the horrific conditions faced by men in metal tubes flying five miles above ground, writes Adrian Pennington.
Having been successfully deployed for key live events and reality shows, 5G production has proven its mettle for the big stage. John Maxwell Hobbs explores how its wider adoption is set to transform the broadcasting landscape.
As part of its celebrations for the 60th anniversary of Doctor Who, the BBC commissioned a feature-length version of one of the most important stories in the show’s history, in full colour with a Dolby Atmos soundtrack. Kevin Hilton talks to the sound designer and colourisation artists who worked on The Daleks in Colour.
Making sure there is a clearly defined set of user needs is fundamental to the start of every new phase in the ongoing AMWA NMOS project, writes David Davies.
Pitches for the shortlisted projects on the IBC Accelerators Innovation Programme were presented in a quick-fire round in front of an international M&E audience at the Kickstart Day on 6 March.
The highly-anticipated sequel to the epic Dune: Part One had the challenge of communicating the deeper narrative of the original novels all the while creating a standalone film, reports Adrian Pennington.
