Features

Could a proprietary live-streaming platform unlock key commercial opportunities in the esports domain? Dan Symonds reports.

How do audio engineers develop an expertise in surround mixing and what are the elements that characterise a great immersive mix? David Davies speaks with the best ears in the business to discover more.

Set in a fictional British town hit by devastating flooding, a timely new ITV1/ITVX mystery thriller generated some very specific challenges for the production crew, writes David Davies.

AI was the buzz at Mobile World Congress 2024, but making a return on their 5G investment was at the forefront of operators’ minds. Adrian Pennington reports.

With the increased adoption of IP and cloud-based technologies, digital security in the media supply chain has never been more vital. John Maxwell Hobbs explores the latest threats to the industry and speaks with key experts about the best practices for protecting against them.

Advertising-supported versus subscription-based services in the video streaming sector was highlighted as a key area of discussion in the January 2024 Content Everywhere newsletter. The topic has also been much in the headlines recently following the introduction of an ad-based tier by Amazon Prime Video.

The British Society of Cinematographers (BSC) held its annual London expo over the weekend with panel discussions spotlighting sustainability and inclusivity, and exhibitors showcasing the newest technology in cinematography, lighting and grip equipment for film and TV production.

VR may have been something of a slow burner in terms of technology buzzwords, but its recent rebrand as spatial computing may well signal an uptick in interest for a host of reasons, discovers Mark Mayne.

Following the success of the IBC Accelerators Project on synthetic humans in 2023, John Maxwell Hobbs caught up with one of the project leaders to discuss subsequent progress and wider market adoption.

The experience of cinematographer Pierre Gill on Disney series ‘Percy Jackson’ showed that lighting for an extensive shoot in a Volume is still work in progress, writes Adrian Pennington.