Behind the Scenes: The Zone of Interest
The cinematic adaptation of a Martin Amis novel juxtaposes mundane everyday life with the horror of Auschwitz using thermal vision and audio, among other narrative devices, reports Adrian Pennington.

The cinematic adaptation of a Martin Amis novel juxtaposes mundane everyday life with the horror of Auschwitz using thermal vision and audio, among other narrative devices, reports Adrian Pennington.
When is it time to go ‘pedal to the metal’ to build growth, and when is it the moment to pull back and be more circumspect? David Davies speaks to a trio of vendors to find out how much these actions are influenced by global trends and events, and how to succeed in uncertain times.
The convergence of AV with traditional broadcast explains why more visitors and exhibitors at ISE 2024 are spanning both worlds, reports Adrian Pennington.
The IBC Accelerators is celebrating its sixth year of bringing together broadcast and media tech innovators to collaborate and explore solutions to real-world challenges. As twelve shortlisted teams get ready to pitch their projects at the Accelerator Kickstart Day on 6 March, with a view to presenting demo PoC’s to an international audience at IBC2024, IBC365 asked last year’s Participants about the doors that the programme has opened and their biggest lessons learned.
Steve McQueen’s new documentary juxtaposes the past with the present and breaks the traditional narrative style to bring the facts of the holocaust into the light, writes Adrian Pennington.
January has only just come to an end, but we are already looking ahead to the next IBC, which takes place as usual at the Amsterdam RAI in September. In the meantime, Content Everywhere companies are polishing their crystal balls and making predictions about what might lie ahead for the video services and streaming industry in the next twelve months.
If you think ISE is about the convergence of AV with broadcast think again. Show organisers say this has already happened. Even the IABM has a speaking slot, writes Adrian Pennington
The fourth instalment of HBO’s crime drama True Detective is set in a remote outpost of Alaska but the show was filmed almost entirely in Iceland, where cinematographer Florian Hoffmeister BSC used an innovative Infrared technique to capture the perma-dark snowbound landscape, reports Adrian Pennington.
The established bellwether of the tech industry, CES2024 has delivered in its usual frenetic style. Mark Mayne rounds up some of the good, the bad, and the downright left-field…
Digital terrestrial television (DTT) received a vote of confidence in its continued resistance against the growing dominance of streaming at the end of last year when its primary place in the UHF spectrum was secured for the foreseeable future.