See-Saw Films has launched new high-end scripted production label fanboy run by Heartstopper EP Patrick Walters.
The label’s first project is the recently announced Sweetpea commissioned for Sky Atlantic which is in production in the UK.
Directed by Ella Jones and starring Ella Purnell, Sweetpea is adapted by Kirstie Swain from the darkly comic YA novel by CJ Skuse.
Fanboy’s TV output will be executive produced by Patrick Walters alongside Helen Gregory, Iain Canning and Emile Sherman for See-Saw Films.
See-Saw’s recent television output includes two seasons of Slow Horses for Apple TV+, The Essex Serpent for Apple TV+, and Heartstopper for Netflix.
See-Saw’s films include Jane Campion’s The Power Of The Dog, Lion, starring Dev Patel and Nicole Kidman, and The King’s Speech.
See-Saw has two joint venture production companies: I Am That – with creator/director Garth Davis (Lion) and Picking Scabs – with writer/showrunner Samantha Strauss (The End).
See-Saw has also invested in Tom Winchester’s TV company, Pure Fiction alongside talent agency Hamilton Hodell.
Walters said: “Over the last ten years at See-Saw, I’ve been lucky enough to develop a variety of stories to screen as limited or returning television series. The constant between these projects has always been the passion, creativity and mutual obsession of their creative teams. I’m so excited to continue making shows with this kind of conviction and heart, matched with the best creative talent out there, and to do so as part of the See-Saw family. The darkly delicious Sweetpea is the perfect project to kick off the fanboy journey.”
See-Saw Joint Managing Directors Iain Canning and Emile Sherman said: “Patrick is a hugely talented executive producer, with a passion for unearthing and supporting some of the most vibrant voices in our industry today. We are thrilled to announce fanboy, and its first project Sweetpea, and to continue our successful relationship with Patrick through this label.”
You are not signed in
Only registered users can comment on this article.
Expanded Future Tech to showcase the very best in innovation, technology and talent
After a successful debut in 2025, Future Tech returns to Hall 14 of the RAI this year, with more features, more innovation and more of the technologies shaping the next era of media and entertainment.
UK TV industry advocates out-of-hours guidelines
The UK television industry has backed new guidelines to minimise out-of-hours contact to help improve work-life balance in the sector.
EU approves Paramount's WBD acquisition with conditions
The European Commission has approved Paramount Skydance’s proposed $110bn acquisition of Warner Bros. Discovery.
Isabel Davis to become Director of BFI Filmmaking Funds
The British Film Institute (BFI) has named Isabel Davis as Director of its BFI National Lottery Filmmaking Funds.
Netflix uses GenAI on 300 titles in 2026
Netflix has revealed that nearly 300 titles on its platform have used generative AI, from early concept stages and pre-visualisation through to post-production and release.



