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IBC2024 Accelerator Project: Digital Replicas and Talent ID

Digital Replicas and Talent ID: Provenance, Verification and New Automated Workflows is one of the eight challenges in this year’s cohort for the IBC2024 Accelerator Media Innovation Programme. The project is championed by Paramount Global and includes participant HAND (Human and Digital)

The project tackles the evolving disruption within the media and entertainment industry, specifically focusing on the challenges associated with talent authentication in the digital landscape.

“While the threat of fraudulent deepfakes in media and entertainment has the potential to create an erosion of trust, loss of revenue, and automated disinformation, there is another, more positive story about AI talent that deserves elevation and exploration,” says Will Kreth, CEO of HAND, the company proposing the challenge.

Referring to some of the outcomes from the recent talent strike in the US, Kreth points to...

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Content Everywhere: a look back at 2024

As the year draws to a close, it seems an opportune time to ask Content Everywhere companies for their views on the top trends in 2024. As always, key industry players have been keen to respond with comments and views on how the past year shaped up both for them and the wider industry.

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AI and the evolution of MAM: Part one – risk analysis

Forms of AI and automation have been making efficiencies in media asset management (MAM) systems for some time, but as the technology becomes more powerful and its potential applications more expansive, what are the major considerations and risks of AI’s role in MAM? James McKeown explores in the first of a three-part investigation.

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