What do Streamers Want? Sitcoms, Police Drama and Reality Shows

With streamers under pressure from investors to slash costs and turn a profit the decade of rampant content spend is over. Appetite for new shows remains high however if producers can find the right project to sell them, reports Adrian Pennington.

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Scouting for the volume

Virtual production opens up more possibilities for location use but the actual process of capturing and preparing those locations for the LED wall can be complex, time-consuming and costly, writes Adrian Pennington.

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From multicast to MAUD: the evolution of MABR

Multicast Adaptive Bit-Rate streaming has been held up as a way for ISPs and content providers to deliver mass-audience streamed content – particularly live events – while ensuring consistency of experience. BT is meanwhile pushing ahead with the rollout of its MAUD variant of the technology.

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